1934 Rare Collectibles

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1914 - CHARLIE CHAPLIN - WORLDS LARGEST CHARLIE CHAPLIN CARD COLLECTION KNOWN
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1914 & UP CHARLIE CHAPLIN WORLDS LARGEST CARD COLLECTION (3rd on the PSA Registry for PSA graded cards) BELOW IS A PARTIAL LIST OF THE GRADED ONES.(THERE ARE OVER 400 OF THEM) (AS OF TODAY, WITH JUST THE PSA GRADED CARDS, JUST REACHED #3 ON THE PSA REGISTRY) MANY, MANY RARE CARDS...SOME HIGHEST GRADED...1 OF A KIND KNOWN CARDS, INCLUDING COMPLETE AND INCOMPLETE SETS (DUE TO RARITY) YOU WILL ALSO RECEIVE WITH THIS COLLECTION OVER 350 UNGRADED-ALL DIFFERENT - CHAPLIN CARDS. YOU WILL GET IN ADDITION TO THIS COLLECTION MANY MANY OTHER GRADED AND UNGRADED 1890s-1940S NON CHAPLIN CARDS (MOSTLY GRADED)!!!! ALSO...YOU WILL GET EVERYTHING I HAVE LISTED!!!!!! SELLING FOR A FRACTION OF ITS VALUE. (OVER $18,000.00 IN GRADING FEES ALONE) THIS IS THE LARGEST COLLECTION OF CHAPLIN CARDS KNOWN.( HAVE TO SHIP IN MULTIPLE BOXES...WILL SHIP PRIORITY FREE W TRACKING CHARLIE CHAPLIN GRADED CARD INVENTORY 2. 1913 MAGIC ACTION (NNO) - ISA 13. 1914 KEYSTONE STUDIO #82 - ISA 34. 1914 KEYSTONE STUDIO #76 - ISA 35. 1915 LUNA PARK #82 - GMA 56. 1915 THEATRE PROMO (CHAMP.)- ISA A7. 1915 THEATRE PROMO (The Bank) TGA 68. 1916 KEYSTONE FILMS - SILK- ISA A9. 1916 KEYSTONE FILMS(COMP. SILK) ISA-A10. 1916 M.J. MORIARTY (JOKER) - SGC 7 11. 1917 KEYSTONE STUDIOS #NNO - TGA 4.512. 1917 KROMO GRAVURE (CHAS.) SGC 4.513. 1917 KROMO GRAVURE CHARLY - SGC 414. 1917 KROMO GRAVURE CHARLY - SGC 4.515. 1917 POCKET FAIR #9 - ISA 716. 1918 MOYA #5 - GMA 217. 1918 BDV SILK - ISA AUTHENTIC18. 1918 MI PAPEL #53 - ISA 3.519. 1918 MEXICO AD CO. #NNO - TGA 320. 1918 ISRAEL FILM STARS #5 - VGC 5.521. 1918 HOME WEEKLY #1 - ISA 122. 1918 HOME WEEKLY #2 - ISA 123. 1918 TARRAGONA #20 - TGA 424. 1919 HOME WEEKLY #3 - ISA 4.525. 1919 HOME WEEKLY #4 - ISA 426. 1919 HOME WEEKLY #5 - ISA 427. 1919 HOME WEEKLY #6 - ISA 4.528. 1919 HOME WEEKLY #8 - SGC 1.529. 1919 GUERNSEY #35 - ISA 630. 1919 W-UNC STRIP CARD #NNO -SGC 1.531. 1919 W-UNC STRIP CARD # 5 - SGC 432. 1919 VAN SCHOOTEN #2 - TGA 333. 1919 AU VRAI BON MARCHE #NNO - ISA “A”34. 1919 BONASORT #3 - ISA 3.535. 1920 HWACHING W/BOWTIE - ISA 636. 1920 HWACHING W/CANE - ISA 537. 1920 B.A.T. CINEMA #3 - GMA 638. 1920 U.K. PENNY GAME #CHORD - ISA 439. 1920 U.K. PENNY GAME #BUOY - ISA 340. 1920 U.K. PENNY GAME #STITCH - ISA 441. 1920 U.K. PENNY GAME #FRIER - ISA 442. 1920 U.K. PENNY GAME #STEPS - ISA 3.543. 1920 U.K. PENNY GAME #PART. - ISA 444. 1920 U.K. PENNY GAME #FRUIT - ISA 345. 1920 U.K. PENNY GAME #SUIT - ISA 3.546. 1920 W539 #1 - ISA 547. 1920 W539 #2 - ISA 748. 1920 W539 #3 - ISA 749. 1920 W539 #4 - ISA 750. 1920 W539 #5 - ISA 751. 1920 W539 #6 - ISA 252. 1920 W539 #7 - ISA 253. 1920 W539 #8 - ISA 854. 1920 W539 #9 - ISA 755. 1920 M. PICTURE NEWS #1 - VGC 956. 1920 M. PICTURE NEWS #2 - VGC 957. 1920 M. PICTURE NEWS #3 - VGC 6.558. 1920 M. PICTURE NEWS #4 - VGC 8.559. 1920 M. PICTURE NEWS #5 - VGC 5.560. 1920 M. PICTURE NEWS #6 - VGC 3.561. 1920 M. PICTURE NEWS #7 - VGC 962. 1920 M. PICTURE NEWS #8 - VGC 5.563. 1920 M. PICTURE NEWS #9 - VGC 964. 1920 CARNIVAL #13 - TGA 265. 1920 F & J SMITH #4 - PSA 466. 1920 F & J SMITH #5 - GMA 367. 1920 SCHUH TOBACCO #24 - GMA 168. 1920 NESTLES #50 - GMA 1.569. 1920s SEBASTIAN PRAT #25 - ISA A70. 1920s CIOCCOLATA #151 - SGC 171. 1920s CHR. AUGUSTINUS #39 - ISA 572. 1920s TORRAS (RED) #1 - SGC 1.573. 1920s TORRAS (BLUE) #7 - SGC 1.574. 1920s TORRAS (BLUE) #9 - SGC 1.575. 1920s TORRAS (RED) #16 - SGC 1.576. 1920s TORRAS (BLUE) #17 - SGC 1.577. 1920s TORRAS (RED) #18 - SGC 1.578. 1920s TORRAS (RED) #20 - SGC 1.579. 1920s TORRAS (RED) #21 - SGC 480. 1920s TORRAS (RED) #23 - SGC 1.581. 1920s TORRAS (RED) #24 - SGC 1.582. 1920s TORRAS (RED) #25 - SGC 1.583. 1920s LLOVERAS NOMS #NNO - SGC A84. 1920s AMATLLER CHOC. #7 - VGC 585. 1920s PORVENIR #81 - ISA 286. 1920s AMATLLER CHOC. #12 - ISA A87. 1920s W-535 #6 - ISA A88. 1920s BELGIUM DIE CUT #CANE - SGC 1.589. 1920s BELGIUM DIE #CANE-RH- SGC 1.590. 1920s NESTLE FILM STARS #27 - SGC 2.591. 1920s La MASCOTA #8 - SGC 2.592. 1920s KEMMEL CHOC. #72 - ISA 293. 1920s ZUCONNI #61 - SGC 2.594. 1920s BATSCHARI #1 - ISA 395. 1920-29 B.A.T CINEMA STARS #3 - SGC 696. 1920-30 DANIELSSON FILMFOTON - SGC 1.597. 1921 FILM STARS #13 - TGA 498. 1921 BLACK CAT PUB. (CANNIB.)#1 - ISA A99. 1921 BLACK CAT PUB. #2 - ISA A100. 1921 BLACK CAT PUB. #3 - ISA A101. 1921 BLACK CAT PUB. #4 - ISA A102. 1921 BLACK CAT PUB. #5 - ISA A103. 1921 CACERIAS #1 - ISA A104. 1921 CACERIAS #2 - ISA A105. 1921 CACERIAS #5 - ISA A106. 1921 CACERIAS #6 - ISA A107. 1921 AMATLLER CHOC. PUZZLE - ISA 3108. 1921 JUNCOSA CHOC. #21 - ISA 4109. 1921 HWACHING TOB. #NNO - ISA 6.5110. 1921 MUNDIAL CHOC. #20 - ISA A111. 1921 E123 AM. CARAMEL #85 - ISA 2112. 1921 PUJOL ELIXIR #75 - TGA 3.5113. 1921 CAFE NAGUABO #NNO - TGA 3114. 1921 EGYPTIAN CIG. #40 - ISA 1115. 1930 AMATLLER CHOC. #29 - ISA A116. 1921 LURATI CHOC. #303 - ISA 1.5117. 1921 UNIV. TOY # MUSTARD - ISA “A”118. 1921 UNIV. TOY # PUTTING - ISA “A”119. 1921 UNIV. TOY # GLAZIER - ISA “A”120. 1921 UNIV. TOY # LUCKY FIND - ISA “A”121. 1921 UNIV. TOY # PANAKES - ISA “A”122. 1921 UNIV. TOY # BEAT IT - ISA “A”123. 1921 UNIV. TOY # COMFORTS - ISA “A”124. 1921 UNIV. TOY # HAPPY HOME - ISA “A”125. 1921 UNIV. TOY # LODGING - ISA “A”126. 1921 UNIV. TOY # REVENGE - ISA “A”127. 1922 BOYS CINEMA #2 - ISA 4.5128. 1922 BRUGUERAS #8 - ISA 5129. 1925 CHARLIE’S ADVENTURES #1 -ISA 5130. 1925 CHARLIE’S ADVENTURES #4 - ISA 2131. 1925 CHARLIE’S ADVENTURES #5 -ISA 4.5132. 1925 CHARLIE’S ADVENTURES #6 -ISA 5133. 1925 CHARLIE’S ADVENTURES #7 -ISA 5134. 1925 CHARLIE’S ADVENTURES #8 -ISA 5.5135. 1925 CHARLIE’S ADVENTURES #9 - ISA 2136. 1925 CHARLIE’S ADVENTURES #10 - ISA 3137. 1925 CHARLIE’S ADVENTURES #11 -ISA 4138. 1925 CHARLIE’S ADVENTURES #12 - ISA 2139. 1925 CHARLIE’S ADVENTURES #13- ISA 5140. 1925 CHARLIE’S ADVENTURES #15 - ISA 3.5141. 1925 CHARLIE’S ADVENTURES #16 - ISA 2142. 1925 CHARLIE’S ADVENTURES #17-ISA 4143. 1925 CHARLIE’S ADVENTURES #18-ISA 4.5144. 1925 CHARLIE’S ADVENTURES #19-ISA 5.5145. 1925 CHARLIE’S ADVENTURES #20- ISA 3.5146. 1925 CHARLIE’S ADVENTURES #21- ISA A147. 1925 CHARLIE’S ADVENTURES #22- ISA 3148. 1925 CHARLIE’S ADVENTURES #23- ISA 5149. 1925 CHARLIE’S ADVENTURES #24- ISA 5150. 1925 CHARLIE’S ADVENTURES #25- ISA 5.5151. 1925 CHARLIE’S ADVENTURES #27- ISA 5152. 1925 CHARLIE’S ADVENTURES #28- ISA A153. 1925 CHARLIE’S ADVENTURES #29 - ISA 2154. 1925 CHARLIE’S ADVENTURES #30 - ISA 1.5155. 1925 ADVENTUR DE CHARLOT #1 - ISA 5156. 1925 ADVENTUR DE CHARLOT #2 - ISA 6.5157. 1925 ADVENTUR DE CHARLOT #3 - ISA 6158. 1925 ADVENTUR DE CHARLOT #4 - ISA 5.5159. 1925 ADVENTUR DE CHARLOT #5 - ISA 7160. 1925 ADVENTUR DE CHARLOT #6 - ISA 7161. 1925 ADVENTUR DE CHARLOT #7 - ISA 7162. 1925 ADVENTUR DE CHARLOT #8 - ISA 7163. 1925 ADVENTUR DE CHARLOT #9 - ISA 5164. 1925 ADVENTUR DE CHARLOT #10 - ISA6165. 1925 ADVENTUR DE CHARLOT #11 - ISA7166. 1925 ADVENTUR DE CHARLOT #12 - ISA6167. 1925 ADVENTUR DE CHARLOT #13 - ISA5.5168. 1925 ADVENTUR DE CHARLOT #14 - ISA4169. 1925 ADVENTUR DE CHARLOT #15 - ISA6.5170. 1925 ADVENTUR DE CHARLOT #16 - ISA6171. 1925 ADVENTUR DE CHARLOT #17 - ISA4.5172. 1925 ADVENTUR DE CHARLOT #18 - ISA3173. 1925 ADVENTUR DE CHARLOT #19 - ISA6174. 1925 ADVENTUR DE CHARLOT #20 - ISA5.5175. 1925 ADVENTUR DE CHARLOT #21 - ISA6.5176. 1925 ADVENTUR DE CHARLOT #22 - ISA7177. 1925 ADVENTUR DE CHARLOT #23 - ISA6178. 1925 ADVENTUR DE CHARLOT #24 - ISA5179. 1925 ADVENTUR DE CHARLOT #25 - ISA4.5180. 1925 ADVENTUR DE CHARLOT #26 - ISA6181. 1925 ADVENTUR DE CHARLOT #27 - ISA6182. 1925 ADVENTUR DE CHARLOT #28 - ISA5183. 1922 GUILLEN CHOC. #31 - ISA 2184. 1922 SEBASTIAN PRAT #22 - ISA 3185. 1922 SEBASTIAN PRAT #25 - VGC 2.5186. 1922 AMERICAN CARAMEL #85 - SGC 2.5187. 1922 NEILSONS CHOCOLATE #36 - SGC 1188. 1922 STROLLERS TYPE 2 #183 - SGC 2.5189. 1922 STROLLERS TYPE 1 #99 - SGC 2190. 1922 FLAG CIGARETTES #NNO - ISA 1.5191. 1922 FELIX POTIN (NNO) - PSA 2192. 1922 W.D. & H.O. WILLS (FLAG CIG.) SGC 6193. 1922 SULTANA CHOCOLATES #22 - ISA 3194. 1922 B.A.T. #NNO (BLANK BACK) - SGC 1.5195. 1922 J.J. SCHUH TOBACCO #2 - SGC A196. 1922 WILLS FLAG #NNO - ISA 3.5197. 1922 DE FILM - FILM STARS #NNO - ISA 5198. 1923 AMERICAN CARAMEL #53 - SGC A199. 1923 BUCKTROUT #35 - PSA 5200. 1923 WILD COLORS #6 - ISA 4201. 1923 CELEBRIDADES #11 - ISA “A”202. 1923 NEILSONS #36 - TGA 3203. 1923 W-515-1 #7 - GMA AUTH204. 1923 RINGERS (SMALL CARD) #30 - SGC 4205. 1923 RINGERS (LARGE CARD) #23 - SGC 4206. 1924 ZUCCONI #170 - ISA 3207. 1924 W584 (HAND CUT) #NNO - ISA A208. 1924 GODFREY PHILLIPS CIRCULAR PSA5209. 1924 OVIEDO CHOC. #12 - GMA 2210. 1924 GRANETIAS #26 - ISA 2211. 1925 HOME BAKERY #NNO - TGA 2212. 1925 FABRICA CHOC. #6 - GMA 3.5213. 1925 FABRICA CHOC. #4 - GMA 3214. 1925 FABRICA CHOC. #4 - GMA 4 (W/BULL)215. 1925 FABRICA CHOC. #2 - GMA AUTH.216. 1925 FABRICA CHOC. #1 - GMA 2.5217. 1925 FABRICA CHOC. #11 - GMA 3218. 1925 LAMBERT & BUTLER #27 - SGC 5219. 1925 WESTMINSTER TOB. #47 - SGC 3.5220. 1926 SOCIETE JOB #NNO - PSA AUTH.221. 1926 W511 (MAROON) #63 - SGC AUTH.222. 1926 W511 (MAROON NM) #63 ISA A223. 1926 W511 (BLUE) #63 - SGC AUTH.224. 1926 W511 (BLUE) #94 - SGC AUTH.225. 1926 W511 (BLUE NM) #94 - ISA A226. 1926 CASANOVA #70 - ISA A227. 1926 JOHN PLAYER #12 - PSA 5228. 1926 W512 STRIP #W512 - GMA AUTHENTIC229. 1926 WSII #63 - GMA AUTHENTIC230. 1926 LAMBERT & BUTLER #27b - GMA 4.5231. 1926 LAMBERT & BUTLER #27-2 LINES PSA7232. 1926 GREILING SCHWARZ - #33 ISA 3233. 1926 EMPIRE THEATRE PROMO #1 - ISA A234. 1926 EMPIRE THEATRE PROMO #2 - ISA A235. 1926 EMPIRE THEATRE PROMO #3 - ISA A236. 1926 EMPIRE THEATRE PROMO #4 - ISA A237. 1927 LA REGENTA #1 - TGA 1238. 1927 CAS LAYRET #29 - ISA 3.5239. 1927 TRIUMPH #3 - SGC 6240. 1927 MORINAGA CHOC. #1 - ISA A241. 1928 BARAJA CINE #1 - ISA A242. 1928 SOCIEDADE #NNO - ISA 2243. 1928 MI PAPAL #53 - ISA 6244. 1928 TARRAGONA #21 - ISA A245. 1928 MORA #NNO - TGA 2246. 1928 W565 STRIP # W565 - GMA “A”247. 1928 W565 STRIP #NNO - ISA 6248. 1928 W565 STRIP #NNO - SGC 3249. 1929 ZARA #22 - TGA 4250. 1929 EXHIBITS PIC. STAMP - ISA A251. 1929 SCHUTTER #NNO - ISA 2.5252. 1930 LOS ANDES #34 - SGC 1.5253. 1930 JUNCOSA CHOC. #NNO - GMA 2254. 1930 RISTA BISCUITS #NNO - ISA 3255. 1930s CHOC. LURATI #151 - SGC 1256. 1930s REGINA CHOC. #10 - ISA A257. 1930s PETERS CHOC. #NNO - ISA A258. 1930s LA VACHE #NNO - TGA 3259. 1930s MILLIAT FRERES #34 - SGC A260. 1930s SCHOOLGIRLS WEEKLY-NNO SGC A261. 1930s FRENCH CARD #43 - SGC 6262. 1930s ORAMI ECHTE #305 - ISA 4263. 1930 MARABOU #87 - SGC 5264. 1930 LOHMANN #81 - GMA AUTH.265. 1930 KEYSTONE #35 - GMA 3266. 1930 CLOETTA #153 - PSA 3 267. 1930 DE BEUKELEAR #50 - GMA AUTH.268. 1930 J. MILLHOFF #18 - PSA 8269. 1930-39 CLOETTA #29 - SGC 3270. 1930-39 MONOPOL #325 - SGC 2271. 1930-39 MONOPOL #22 - PSA 6272. 1931 JOSETTI #206 - PSA 4273. 1931 U.S.S.R. CINEMA #M45325 - ISA 2274. 1931 TOBLAR #NNO - TGA 5.5275. 1931 ORAMI #36 - PSA 2.5276. 1931 R & J HILL #1 - SGC 1.5277. 1931 SCERRI #92 - PSA 4278. 1931 JASMATZI #1 - SGC 4.5279. 1931 MANOLI GOLD #1 - GMA 3280. 1931 MANOLI GOLD #309 - ISA 2281. 1931 SALEM CIG. #60 - SGC 7282. 1931 JASMATZI #365 - SGC 3283. 1931 SALEM CIG. #56 - SGC 8284. 1931 EDUARDO PI #21 - PSA 7285. 1931 EDUARDO PI #12 - GMA AUTH.286. 1932 BRIDGEWATER #90 - PSA 9287. 1932 TEASDALE #29 - ISA 3288. 1932 MAGNUSSONS #59 - TGA 4.5289. 1932 MAGNUSSONS #53 - TGA 5.290. 1932 JACQUES CHOC. #548 - TGA 8291. 1932 KOSMOS #46 - GMA 3292. 1932 HAUS BERGMANN #19 - PSA 8293. 1932 BRIDGEWTER #35 - SGC 5294. 1932 MANGOLI GOLD #365 - GMA 4295. 1932 H. MONOPOL #325 - ISA 7296. 1932 H. MONOPOL #325 - GMA 3297. 1932 D. MONOPOL #22 - GMA 4298. 1932 D. MONOPOL #22 - ISA 5299. 1932 BULGARIA #56 (BLUE)- SGC 5.5300. 1932 BULGARIA #60 (BLUE)- SGC 4.5301. 1932 LA VERITABLE #NNO - ISA 5302. 1933 CARRERAS #49 - PSA 1.5303. 1933 CARRERAS #49 - ISA 3304. 1933 U.K. TOBACCO #NNO - TGA 5305. 1933 ORIMI #305 - PSA 2306. 1933 STANDARD CIG. #27 - GMA 5307. 1933 KOSMOS #117 - GMA 4308. 1933 WILLS T.C. & V.R. #1 - ISA 3309. 1934 WILLS #71 (SMALL)- GMA 5.5310. 1934 WILLS #71 (LARGE)- ISA 4311. 1934 PEERLESS #57 - GMA AUTH.312. 1934 ARDATH (SMALL) #38 - SGC 4313. 1934 ARDATH (LARGE) #38 - SGC 4314. 1934 SCHAUSPIEL #13 - GMA 4315. 1935 DE BEUKELAER #400 - TGA 4.5316. 1935 EXHIBIT SUPPLY MINI - ISA A317. 1935 R-90 #106 - SGC 1318. 1935 MARTOUGIN #NNO - ISA 5319. 1936 NESTLE #66 - SGC 1.5320. 1936 JACQUES CHOC. #NNO - ISA 2321. 1936 OGDENS #30 - PSA 8.5322. 1936 HIGNETT BROS. #30 - ISA 6323. 1937 MEURISSE CHOC. #6 - ISA 5324. 1938 SEEIN’ STARS #62 - TGA 5325. 1938 ROSS FILM STARS - ISA A326. 1939 CARNIVAL PROMO - ISA 5327. 1940 A & M WIX #250 - ISA 4328. 1940 A & M WIX #7 - GMA 3.5329. 1940 A & M WIX # 6 - PSA 6330. 1940 A & M WIX # 145 - PSA 8331. 1940 MAX CIG. #6 - GMA 4.5332. 1940 MAX CIG. #7 - GMA 5.5333. 1940s MENKO #5730 - TGA 5.5334. 1940s MENKO #890767 - ISA “A”335. 1941 SEEIN’ STARS #24 - ISA A336. 1941 GIUSEPPE GRASSO - ISA A337. 1943 MENKO (LARGE) #300 - ISA “A”338. 1947 ARTISTI #80 - ISA A339. 1948 BISCOTTES #6 - ISA 2340. 1949 ARTISTIC ALBUM #185 - ISA 2341. 1949 MENKO (CIRCULAR) #NNO - TGA 2342. 1950 ANONYMOUS #42 - SGC 3343. 1950s HISTORIA DEL CINE #47 - SGC 2344. 1950s HISTORIA DEL CINE #48 - SGC 1345. 1952 FELIX POTIN #NNO - VGC 3.5346. 1953 GREILING # 147 - SGC 3347. 1954 O.K. GUM #19 - ISA 3348. 1954 EL CINE #110 - TGA 5 349. 1956 KELLOGGS AD BACK - ISA 5350. 1956 DUTCH GUM Studio Set 2 - TGA 6351. 1957 DUTCH STUDIO #NNO - PSA 4352. 1957 DUTCH GUM (lg #) #66 - TGA 4353. 1958 RUIZ ROMERO #67 - ISA 1354. 1958 DUTCH GUM #47 - SGC 5355. 1959 VLINDER #87 - ISA 5356. 1961 ART. DEL-CINE #83 - ISA 1.5357. 1961 QUAKER OATS #1 - ISA 3.5358. 1961 DUTCH GUM (B) #69 - SGC 5359. 1962 DUTCH “TEVE” #114 - PSA 4360. 1966 PANTALLA - #NNO - ISA A 361. 1966 LYONS MAID #13 - ISA 5.5362. 1967 JUNCOSA STICKER - ISA A363. 1969 BROOKE BOND #38 - SGC 4.5364. 1969 VICTORIA #589 - TGA 3365. 1969 GLOBE IMPORTS # ACE - PSA 7366. 1971 AMERICANA #306 - ISA 3367. 1972 PANINI DISNEY #37- ISA “A”368. 1972 EDIT. BRUGUERA #309 - ISA 2.5369. 1972 EDIT. BRUGUERA #213 - ISA 2.5370. 1973 PANINI OK VIP #120 - ISA 5371. 1976 JUGADOR SUPP. #5L - ISA 4372. 1978 EDUARDO STICKER - ISA A373. 1981 FIGURITAS #28 - VGC 5.5374. 1981 CHAPITAS #28 - TGA 6375. 1987 VICTORIA GALLERY #5 - SGC 8376. 1993 GRAMPUS FOTOS #15 - VGC 9377. 1998 GOLD STAMP #NNO - VGC 8.5378. 2002 HOOPLA #NNO - TGA 7379. 2008 ACEO -ARTIST AUTO - GMA 10380. 2011 ZEENUT W/COUPON - VGC 8.5381. 2011 TOPPS LETTER #11/25 - VGC 8.5382. 2011 TOPPS (AM. PIE) #38 - PSA 7383. 2012 PANINI BLACK 1/1 #30 - ISA 6.5384. 2017 TOPPS GPK #13A - SGC 8385. 2017 TOPPS GPK #13B - SGC 8386. 2021 FAMOUS Americans #215 - ISA 9 (Condition: Pre-Owned)
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65000.00 USD 2025-11-20
Atmos Reutter PO1 1934 Rare and original Dial
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1930' ATMOS Modell PO1 ! The Jaeger LeCoultre Atmos clock is famous for two remarkable characteristics - it is easy to maintain and functions in a really extraordinary way. The Atmos requires no battery, electricity and even winding.
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30434.86 USD 2025-11-20
1934 $1000 Federal Reserve Note Chicago RARE Centered Example PMG 63
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. Browse, Bid, and Buy Great Items on eBay Probstein123 accepts consignments. We offer the highest payouts, quickest listing times, and fastest payments in the industry. Trust us to sell your sports collectibles, TCG cards, and other memorabilia.We offer combined shipping. Please request an invoice within five days. The reduced shipping price depends on what you buy.Sales tax may apply. Do online research to see if your shipping address requires sales tax.We do not accept returns. All sales are final.Thanks for the bids and interest in our auctions. .GiGi
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9099.00 USD 2025-11-20
Palestine Post
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From 1934 untill 1941. of the State of Israel. Here's your chance on owning your own original newspaper announcing the creation. paper it was printed on at different periods. there are about 1300 editions in the lot.
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7500.00 USD 2025-11-20
John Dillinger 1934 American Gangster TYPE 1 Original Photo PSA/DNA VERY RARE!
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Size: 6x8Designation: Type 1Condition: International News PSA/DNA Understanding Original Photography PSA/DNA Photograph Type I - A 1st generation photograph, developed from the original negative, during the period (within approximately two years of when the picture was taken).Type II - A photograph, developed from the original negative, during the period (more than approximately two years after the picture was taken).Type III - A 2nd generation photograph, developed from a duplicate negative or wire transmission, during the period (within approximately 2 years of when the picture was taken).Type IV - A 2nd generation photograph (or 3rd or later generation), developed from a duplicate negative or wire transmission, during a later period (more than approximately two years after the picture was taken).Type 1 photographs are the most desirable and valuable of the four photograph types because of their vintage and originality Type 3 photographs are commonly reffered to as "Wire Photos".Many Type 4's were issued after 1970, either for latter-era publication of earlier original images or for the general public consumption Duplicate negatives are produced by taking a photograph of an existing original photograph thereby creating a second negative that is of inferior quality to the originalAll photograph types are collectible; a Type 3 photograph of a Hall of Famer Mickey Mantle may be worth considerably more than a Type 1 photograph of a common player from the 1920's.Terms & Conditions 1. This photo is original. If it is not authenticated already, it is guaranteed to pass PSA/DNA authentication or complete refund will be issued which includes shipping and any authentication fees.2. All photos will ship (packaged securely to avoid damage) via priority Mail padded flat rate envelope, fully insured. (Condition: Pre-Owned)
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5000.00 USD 2025-11-20
*BEYOND RARE* ORIG. 1934 MAFIA LEGEND, MOBSTER DUTCH SCHULTZ  FBI WANTED POSTER
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UP FOR AUCTION IS BY ALL ACCOUNTS ONE OF THE RAREST FBI POSTERS EVER ISSUED BY THE DEPARTMENT OF JUSTICE. IT IS THAT OF ONE OF THE MOST NOTORIOUS GANGSTERS IN MAFIA HISTORY, ARTHUR FLEGENHEIMER, BETTER KNOWN AS DUTCH SCHULTZ.Dutch Schultz (born Arthur Simon Flegenheimer; August 6, 1901 – October 24, 1935) was an American mobster based in New York City in the 1920s and 1930s. Schultz made his fortune in organized crime-related activities, including bootlegging and the numbers racket. Schultz's rackets were weakened by two tax evasion trials led by prosecutor Thomas Dewey, and also threatened by fellow mobster Lucky Luciano. Schultz asked the Commission for permission to kill Dewey, in an attempt to avert his conviction, which they refused. When Schultz disobeyed them and made an attempt to kill Dewey, the Commission ordered his murder in 1935. Schultz was shot at a restaurant in Newark and died the next day. WITHOUT QUESTION, ONE OF THE RAREST, AND MOST SOUGHT AFTER MAFIA WANTED POSTER IN EXISTENCE. YOU'LL FIND THIS EXACT POSTER ON DISPLAY AT THE LAS VEGAS MOB MUSEUM IN NEVADA YOU CANNOT BUY IT ANYWHERE ONLINE. IT SIMPLY DOESN'T EXIST. THIS EXCEPTIONALLY RARE DUTCH SCHULTZ FBI WANTED POSTER WAS ISSUED BY THE DEPARTMENT OF JUSTICE ON NOVEMBER 19TH, 1934. IT HAS BEEN CAREFULLY PRESERVED IN AN ARCHIVAL BINDER FOR OVER 89 YEARS. IT COMES TO YOU AS IMMACULATE AND PRISTINE AS YOU SEE HERE IN THE PHOTOS PROVIDED. HERE IS YOUR CHANCE TO TRULY OWN A PIECE OF HISTORY.PLEASE MAKE US YOUR BEST OFFER, WE WILL ACCEPT ANY REASONABLE OFFER.Early lifeArthur Simon Flegenheimer was born on August 6, 1901, to German Jewish immigrants Herman and Emma (Neu) Flegenheimer, who had married in Manhattan on November 10, 1900. He had a younger sister, Helen, born in 1904. Herman Flegenheimer apparently abandoned his family, and Emma is listed as divorced in the 1910 US Census. (In her 1932 petition for U.S. citizenship, however, she wrote that her husband had died in 1910–though it is unclear whether he died before or after the 1910 US Census.) The event traumatized young Flegenheimer, who spent the rest of his life denying that his father had abandoned his family Flegenheimer dropped out of school in the eighth grade to help support himself and his mother. He worked as a feeder and pressman for the Clark Loose Leaf Company, Caxton Press, American Express, and Schultz Trucking in the Bronx between 1916 and 1919.Criminal beginningsWhen Flegenheimer began working at a neighborhood night club owned by a small-time mobster, he started robbing craps games before turning to burglary. Eventually he was caught breaking into an apartment and sent to the prison on Blackwell's Island (now called Roosevelt Island). Flegenheimer Schultz s mugshot, aged 18, was published in the 2010 book New York City Gangland. He proved to be such an unmanageable prisoner that he was transferred to a work farm in Westhampton, Long Island. After he was recaptured following an escape, he had an extra two months added to his sentence Flegenheimer was released on parole on December 8, 1920, and went back to work at Schultz Trucking. With the enactment of the Volstead Act and the start of Prohibition in the United States, the shipping company began smuggling liquor and beer into New York City from Canada. This led Flegenheimer to start associating with known criminals. It was also during this time that Flegenheimer became better known as "Dutch" Schultz. Following a disagreement, he left Schultz Trucking and went to work for their Italian competitors Criminal the mid-1920s, Schultz had begun work as a bouncer at the Hub Social Club, a small speakeasy in the Bronx owned by a gangster named Joey Noe. Noe was impressed with Schultz's ruthlessness and reputation for brutality when he lost his temper, and he made him a partner. Together they soon opened more illegal drinking joints around the Bronx. Using their own trucks to reduce high delivery costs, they brought in beer made by Frankie Dunn, a brewer in Union City, New Jersey. Schultz often rode shotgun to guard the trucks from hijackers Schultz and Noe soon had to deal with the brothers John and Joe Rock, who were already running a bootlegging operation in the Bronx. Initially the brothers refused to buy beer from Noe and Schultz, but eventually John, the elder brother, agreed to cooperate; however, his younger brother Joe refused. One night the Noe-Schultz gang kidnapped Joe, beat him and hung him by his thumbs from a meat hook. They then allegedly wrapped a gauze bandage smeared with discharge from a gonorrhea infection over his eyes. His family reportedly paid $35,000 for his release. Shortly after his return, he went blind. From then on, the Noe-Schultz gang met little opposition as they expanded across the entire Bronx. Bootlegging during Prohibition made Schultz very wealthy.Gang warsThe Noe-Schultz operation, which had begun to flourish in the Bronx, soon became the only gang able to rival the network of Italian crime syndicates that became the Mafia's Five Families. When the gang expanded from the Bronx over to Manhattan's Upper West Side and the neighborhoods of Washington Heights, Yorkville and Harlem, they moved their headquarters to East 149th Street in The Bronx. However, this brazen move led to a bootleg war with New York's Irish Mob, led by Jack "Legs" Diamond.In the early hours of October 16, 1928, Noe was shot several times outside the Chateau Madrid, a speakeasy at 231 West 54th. Although seriously wounded, he managed to return fire. A blue Cadillac was seen hitting some parked cars and losing one of its doors before speeding away. When police found the car an hour later, they discovered the body of a Louis Weinberg (no relation to Schultz gang members Abraham "Bo" Weinberg and George Weinberg) in the back seat. Noe's wounds became infected and he died on November 21. Schultz was left angry and distraught by the loss of his friend and mentor Retaliation started a few weeks later when Arnold Rothstein, a kingpin in the Jewish mob, was found fatally shot near the service entrance to the Park Central Hotel on November 6, 1928. Although George "Hump" McManus supposedly killed Rothstein over a bad gambling debt, Schultz is believed to have ordered the killing in retribution for Noe's death. This theory is supported by the fact that the first person McManus rang after the killing was Schultz's attorney, Dixie Davis. Schultz's trusted lieutenant, Bo Weinberg, then picked up McManus and drove him away from the murder scene. McManus was later cleared of the killing.On October 12, 1930, Legs Diamond was shot and wounded at the Hotel Monticello on Manhattan's West Side. Two gunmen forced their way into Diamond's room and shot him five times before fleeing. Still in his pajamas, Diamond staggered into the hallway and collapsed. When asked later by the New York Police Commissioner how he managed to walk out of the room, Diamond said he drank two shots of whiskey first. Diamond was rushed to the Polyclinic Hospital in Manhattan, where he eventually recovered. On December 30, 1930, Diamond was discharged from Polyclinic. During his absence, his gang was forced to leave the city. When he returned home, Diamond began carving out a new territory for himself in Albany. He was killed in a cheap Albany rooming house at 67 Dove Street by two gunmen in December 1931.Schultz also had to deal with internecine conflicts within his own gang. In 1930, one of Schultz's enforcers, Vincent Coll, demanded to be made an equal partner. This was because Schultz gang members received a flat salary instead of the customary percentage from the take—a unique arrangement compared to other major gangs in organized crime. When Schultz refused, Coll formed his own crew with the ultimate goal of murdering Schultz and taking over his territory. In the bloody gang war that followed, Coll lost his older brother Pete and earned the nickname "Mad Dog" from the press after a child was killed during a botched assassination attempt committed by his gang. In February 1932, Coll was lured into a trap. While he was taking a call in a drugstore phone booth, gunmen entered the store and machine-gunned him to death. The killers may have included Edward "Fats" McCarthy and the brothers Bo and George Weinberg RacketeerWith the end of Prohibition, Dutch Schultz needed to find new sources of income. His answer came with Otto "Abbadabba" Berman and the Harlem numbers racket. The numbers racket, the forerunner of "Pick 3" lotteries, required players to choose three numbers, which were then derived from the last number before the decimal in the handle (total amount bet) taken daily at Belmont Park. Berman was a middle-aged accountant and math whiz who helped Schultz fix this racket. In a matter of seconds, Berman could mentally calculate the minimum amount of money Schultz needed to bet at the track to alter the odds at the last minute. This strategy ensured that Schultz always controlled which numbers won, guaranteeing a larger number of losers in Harlem and a multimillion dollar a month tax-free income for Schultz. Berman was reportedly paid $10,000 a week (equivalent to $175,000 in 2022).Along with the policy rackets, Schultz began extorting New York restaurant owners and workers. Schultz, working through a hulking gangster named Jules Modgilewsky, also known as Julie Martin, made deals with the leaders of Waiters Local 16 and Cafeteria Workers Local 302 to extort money by forcing restaurant owners to join the Metropolitan Restaurant & Cafeteria Owners Association, an employer association that Schultz had founded. Those who refused to join the Association were faced with exorbitant wage demands from the unions, followed by strikes and stink bomb attacks. The Metropolitan Association then stepped in to arrange a settlement of the strike with a sweetheart contract for low wages contingent on the employer joining the Association. Martin Modgilewsky successfully extracted thousands of dollars of tributes and "dues" from the terrorized restaurant owners for Schultz.During Schultz's tax trial (see below) he began to suspect that Martin was skimming from the shakedown operation; Schultz had recently discovered a $70,000 disparity in the books. On the evening of March 2, 1935, Schultz invited Martin to a meeting at the Harmony Hotel in Cohoes, New York. At the meeting, at which chief enforcer Bo Weinberg and mob lawyer Dixie Davis were also present, Martin belligerently denied Schultz's charges and began arguing with him. Both men were drinking heavily as the argument continued, and Schultz sucker-punched Martin. Finally, Martin admitted that he had taken $20,000, which he believed he was "entitled to" anyway. Dixie Davis related what happened next:Dutch Schultz was ugly; he had been drinking and suddenly he had his gun out. Schultz wore his pistol under his vest, tucked inside his pants, right against his belly. One jerk at his vest and he had it in his hand. All in the same quick motion he swung it up, stuck it in Jules Martin's mouth and pulled the trigger. It was as simple and undramatic as that—just one quick motion of the hand. Dutch Schultz did that murder just as casually as if he were picking his teeth.As Martin contorted on the floor, Schultz apologized to Davis for killing someone in front of him. When Davis later read a newspaper story about Martin's murder, he was shocked to find out that the body was found on a snow bank with a dozen stab wounds to the chest. When Davis asked about this, Schultz replied, deadpan, "I cut his heart out."Trials for tax evasionIn the early 1930s, U.S. Attorney Thomas Dewey had set his sights on convicting Schultz for non-payment of federal taxes. Schultz was indicted in New York in January 1933 and became a fugitive. (Dewey subsequently left the Justice Department, first for private practice, then as a state-appointed Special Prosecutor and D.A.) Schultz surrendered in Albany, New York, in November 1934. This was part of his plan to have his trials moved from New York City to upstate. His first tax evasion trial, in Syracuse, ended in a hung jury, with many speculating he'd bribed the jurors. He would face retrial in Malone, New York.With the case going to a second trial, Schultz quickly set about presenting himself to the townspeople of Malone as a country squire and good citizen. He donated cash to local businesses, gave toys to sick children, and performed other charitable deeds. The strategy worked, as he was acquitted of tax evasion in late summer 1935. The mayor of New York, Fiorello La Guardia, was so outraged at the verdict that he issued an order that Schultz should be arrested on sight should he return to the city. As a result, Schultz was forced to relocate his base of operations across the Hudson River to Newark AssassinationBetrayalAs the defense costs to fight his tax case mounted, Schultz had found it necessary to reduce the commission he paid to those running his policy rackets to bolster what he called the "Arthur Flegenheimer Defense Fund." That tactic angered the runners and the games' controllers, who, despite being threatened with violence for showing any dissent, hired a hall, held a mass protest meeting, and declared a strike of sorts. Very quickly the cash flow dried up, and Schultz was forced to back down, which permanently damaged the relationship between his gang and their associates.Bo Weinberg, Schultz's chief lieutenant, was so concerned about the amount of money that Schultz was taking from the rackets to fund his legal defense that he sought advice from New Jersey mob boss Longy Zwillman, who put him in touch with the Sicilian-born gangster Charlie "Lucky" Luciano. The deal that Weinberg wanted was to retain a percentage and keep overall control of the Schultz gang. However, Luciano planned to break up the gang's rackets and territory among his own associates once Schultz was convicted of tax evasion. Believing that a guilty verdict was a foregone conclusion at the second trial, Luciano and his allies implemented their plan to take control. Their plan met little resistance because of the ongoing bad feelings over the attempted pay cuts and the support of Weinberg However after Schultz was acquitted, he quickly arranged a meeting with Luciano through the Commission to clarify the situation. Luciano explained to Schultz that they were just "looking after the shop" while he was away to ensure that everything ran smoothly and that full control of his rackets would be returned to Schultz once the heat died down. Publicly, Schultz was forced to accept that version of events because of the ongoing attention from law enforcement agencies and Thomas Dewey, now a Special Prosecutor appointed by LaGuardia. A month after his acquittal, his own chief lieutenant Bo Weinberg was never seen again after he had walked out of a midtown Manhattan nightclub Schultz had proposed to the National Crime Syndicate, a confederation of mobsters, that Dewey be murdered. Luciano argued that a Dewey assassination would precipitate a massive law enforcement crackdown. The Commission later voted unanimously against the proposal. An enraged Schultz said he would kill Dewey anyway and walked out of the meeting. The Murder, Inc. leader Albert Anastasia approached Luciano with information that Schultz had asked him to stake out Dewey's apartment building on Fifth Avenue. Upon hearing the news, the Commission held a discreet meeting to discuss the matter. After six hours of deliberations, the Commission ordered Louis Buchalter to eliminate "The Dutchman ShootingSchultz was shot on October 23, 1935, while he was at the Palace Chop House restaurant at 12 East Park Street in Newark, New Jersey, with Otto Berman, his accountant; Abe Landau, his new chief lieutenant; and his personal bodyguard, Bernard "Lulu" Rosenkrantz. While Schultz was in the bathroom, two Murder, Inc. hitmen named Charles "The Bug" Workman and Emanuel "Mendy" Weiss entered the establishment Workman and Weiss entered the back room of the restaurant, where they fired numerous times at the Schultz gang members. Berman collapsed immediately after he was shot. Landau's carotid artery was severed by a bullet passing through his neck, and Rosenkrantz was hit repeatedly at point-blank range. Nevertheless, despite their injuries, both gangsters rose to their feet, returned fire, and drove the assassins out of the restaurant. Weiss jumped into the getaway car and ordered the driver to abandon Workman. Landau chased Workman out of the bar and emptied his pistol at him but missed. After Workman had fled on foot, Landau finally collapsed onto a nearby trash can.Witnesses say Schultz staggered out of the bathroom, clutching his side, and sat at his table. He called for anyone who could hear him to get an ambulance. Rosenkrantz rose to his feet and demanded that the barman, who had hidden during the shootout, give him some change. Rosenkrantz called for an ambulance before he lost consciousness When the first ambulance arrived, medics determined Landau and Rosenkrantz were the most seriously wounded and needed to be taken immediately to Newark City Hospital. A second ambulance was called to take Schultz and Berman. Berman was unconscious, but Schultz was drifting in and out of lucidity, as police attempted to comfort him and get information. Because the medics had no pain relievers, Schultz was given brandy to relieve his suffering. When a second ambulance arrived from Newark City Hospital, Schultz gave an intern in the ambulance $3,000 in cash because he thought he was dying and said that it was not going to do him any good where he was going. After surgery, when it looked as if Schultz might live, the intern was so worried that Schultz would come back for his cash that he handed in the money. Landau and Rosenkrantz refused to say anything to the police until Schultz had given them permission after he had arrived in the second ambulance. Even then, they provided the police with only minimal information.At 2:20 am, Otto Berman, the oldest and least physically fit of the four men, was the first to die. Abe Landau died of exsanguination at 6 am. When Rosenkrantz was taken into surgery, the surgeons were so incredulous that Rosenkrantz was still alive despite his blood loss and ballistic trauma that they were unsure of how to treat him. He eventually died from his injuries 29 hours after the shooting DeathSchultz received the last rites from a Catholic priest at his request just before he went into surgery. He reportedly believed Jesus enabled him to beat an indictment and had promised to convert. He lingered for almost one day, speaking in various states of lucidity with his wife, mother, a priest, police, and hospital staff, before he died of peritonitis on October 24, 1935.Schultz was permitted interment in the Roman Catholic Gate of Heaven Cemetery in Hawthorne, Westchester County, New York, but at the request of his Orthodox Jewish mother, Schultz's body was draped with a talit, a traditional Jewish prayer shawl.In 1941, Charles Workman was convicted of killing Schultz. The building that housed the Palace Chop House was torn down in 2008.Final words and legacyThe headstone of Dutch Schultz in Gate of Heaven Cemetery, Hawthorne, New YorkSchultz's last words were a strange stream of consciousness babble spoken in his hospital bed to police officers who attempted to calm him and question him for useful information. Although the police were unable to extract anything coherent from Schultz, his rambling was fully transcribed by a police stenographer. These include:A boy has never wept...nor dashed a thousand kim.You can play jacks, and girls do that with a soft ball and do tricks with it.Oh, Oh, dog Biscuit, and when he is happy he doesn't get snappy Schultz s last words have inspired a number of writers to devote works related to them. Beat Generation author William S. Burroughs published a screenplay in novel form titled The Last Words of Dutch Schultz in the early 1970s, while Robert Shea and Robert Anton Wilson connected Schultz's words to a global Illuminati related conspiracy, making them a major part of 1975's The Illuminatus! Trilogy. (In Wilson's and Shea's story, Schultz's ramblings are a coded message.) In his 1960 anthology Parodies, Dwight Macdonald presents Schultz's last words as a parody of Gertrude Stein. In E. L. Doctorow's novel Billy Bathgate, the title character uses clues from Schultz's deathbed ramblings to locate his hidden money.Although Schultz's gang was meant to be crippled, several of his associates survived the night. Martin "Marty" Krompier, whom Schultz left in charge of his Manhattan interests while he hid in New Jersey, survived an assassination attempt the same night as the shootings at the Palace Chop House. No apparent attempt was made on the life of Irish-American mobster John M. Dunn, who later became the brother-in-law of mobster Edward J. McGrath and a powerful member of the Hell's Kitchen Irish mob.After Schultz's death, it was discovered that he and his wife had never gone through an official marriage ceremony, and the possible existence of another wife emerged with the discovery of letters and pictures of another woman and children among his effects at the hotel where he was staying in Newark. This was never resolved, as his common-law wife refused to talk about it and the mystery woman never came forward. Two other women also called at the morgue to receive his effects, but their identities were never established. Though he was estimated to be worth $7 million when he died, no trace of the money was ever found.Shortly before his death, fearing that he would be incarcerated as a result of Dewey's efforts, Schultz commissioned the construction of a special airtight and waterproof safe into which he placed $7 million in cash and bonds (equivalent to $149,000,000 in 2022). Schultz and Rosenkrantz then drove the safe to an undisclosed location somewhere in upstate New York and buried it. At the time of his death, the safe was still interred; as no evidence existed to indicate that either Schultz or Rosenkrantz had ever revealed the location of the safe to anyone, the exact place where the safe was buried died with them. Schultz's enemies are said to have spent the remainder of their lives searching for the safe. As the safe has never been recovered, treasure hunters have annually returned to look for it in the Catskills. One such meeting became the documentary film Digging for Dutch: The Search for the Lost Treasure of Dutch Schultz.In popular cultureSeveral actors have portrayed Dutch Schultz in film and television: Vic Morrow in Portrait of a Mobster (1961), Vincent Gardenia in Mad Dog Coll (1961), James Remar in The Cotton Club (1984), Dustin Hoffman in Billy Bathgate (1991), Lance Henriksen in The Outfit (1993), and Tim Roth in Hoodlum (1997).On television, in the 1959 The Untouchables episodes "Vincent 'Mad Dog' Coll", "The Dutch Schultz Story" and "Jack 'Legs' Diamond", Schultz was played by Lawrence Dobkin. In the 1993–1994 series The Untouchables, he was portrayed by Si Osborne in the 1993 episode "Attack on New York".On November 18, 2020, a PBS Secrets of the Dead episode entitled "Gangster's Gold" premiered which detailed the investigation and the hunt for Schultz's lost treasure. In July 2022, an episode of Expedition Unknown, titled "The Bootlegger's Millions", focused on Schultz and his treasure.
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4999.99 USD 2025-11-20
RARE 1934 PLATINUM AGE FAMOUS FUNNIES #3 KEY ISSUE 1ST BUCK ROGERS COMPLETE NICE
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Famous funnies #3. 1st buck Rogers. Squiggly line above â??uâ? of famous is printer defect. This is a very clean book. Very nice copy! See pics for condition.
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4850.00 USD 2025-11-20
Vintage 1934-35 Outside Hinge Metallique Zippo - Medusa - Early Rare Zippo
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Find many great new & used options and get the best deals for Vintage 1934-35 Outside Hinge Metallique Zippo - Medusa - Early Rare Zippo at the best online prices at eBay! Free shipping for many products!
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4276.00 USD 2025-11-20
? Very RARE AMERICAN AIRLINES Airplane Aviation Flying Metal Sign, 1940s - WOW
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eBay This is a Very RARE American Airlines Airplane Aviation Flying Metal Sign, circa 1950's, and the largest example to ever be publicly offered for sale or is known to still exist. This is not some small button or lapel pin, this piece us 35 1/4 inches tall x 20 inches wide x 1 1/4 inches deep. This is a serious piece, which was probably in a prominent airport terminal or in one of the American Airlines headquarters buildings. This is their older logo, which dates this sign from the early 1940's - early 1960's. I believe that this item is either cast aluminum or pewter, it is non-magnetic & rather heavy, so evidence and appearance suggest that it is comprised from either of these metals. The largest known similar American Airlines cast metal signs previously offered for sale to the public (only 2) were described as "LARGE," and were only 8.5 inches tall! This piece is a monster compared to those. It appears that at some time in the past, someone tried to partially paint this sign. I do not believe that the brown paint is original to this piece, and it could probably be easily removed with the right cleaning solvent, if the buyer desires. Good condition for age, with some mild - moderate edge wear, scuffs, and paint loss, etc. (please see photos.) This sign has two old and oxidized mounting bolts on the verso, which I believe are original. This item was displayed on the wall of an old collector's home in Los Angeles California for over half a century, before I acquired it. Priced to Sell. If you like what you see, I encourage you to make an Offer. Please check out my other listings for more wonderful and unique artworks!About the American Airlines Logo:The History Of The American Airlines LogoAmerican Airlines is an airline with one of the strongest visual identities of all time. Their logo is a classic one, a prime example of a logo with a strong history of greatness and standing for an airline that’s used by millions. They have a fresh and modern logo that has become a signature part of not only their brand but their history and where they come from. Their logo is how the airlines are identified and, with it being printed on planes flying across the globe, it was more important than ever that they had a logo that made an impression. The new logo that the brand received attempted to give the brand a new look that would liven it up and give it something fresh. Something different. Something that traditional airlines wouldn’t have and that would be known for the rest of history and easily identified by the public. The symbol is called “The Flight Symbol” and completed its goal with a beautiful and strong logo that stands out amongst the crowd of logos in the world. Although we see this logo now, it isn’t where the airline began or the logo they initially used to identify themselves. Since the early days, the brand has kept its look consistent with always using the eagle symbol. The current logo also features the eagle as a part of their logo, but it’s less obvious than it has been in past logos.To get where we see it today the logo has had quite a few changes throughout time and it’s shown us a few different styles. To get where we see it today the logo has had quite a few changes throughout time and it’s shown us a few different styles. 1934 – 1945: The First Logo 1934 marked the time when American Airlines first began, starting with over 80 airlines merging to create the airline. Initially, the airline was named American Airways, which was quickly switched to American Airlines and has stayed the same since. This original logo featured a white eagle with its wings spread against a blue background inside a red circle.Inside the circle on either side of the eagle, two bold red ‘A’s were shown. The eagle was shown standing on top of a globe, showing the possibilities of the company and how its power stretches across the world. This logo was designed by Goodrich Murphy who was an employee of American Airlines at the time. It was his idea and his logo design that identified the start of American Airlines. The color choices that we see used here are red, white, and blue, which are not only a direct tribute to the US but they’re also a strong combination. 1945 – 1962: A Cleaner LookIn 1945 the brand decided that they would give the logo a simpler look than it originally had. They removed all the elements that were originally included and instead they decided to keep it simple with the eagle in blue and a different style. The logo had been switched to face right instead of left and was placed inside of two blue ‘A’s. The eagle was shown in clouds on a white background. This logo was simpler, less cluttered, and was seen as cleaner and more modern than the original logo had been. 1962 – 1967: A Logo Reimagined In 1962 the logo was reimagined, bringing back the colors and concept of the brand’s first logo. However, the entire design wasn’t brought back; instead, a red circle was shown with the eagle, two ‘A’s, and the word American inside of it. This used a combination of the brand’s first and second logos to create this new and third logo for the brand. It showed the essence of the previous logos and kept it minimalistic and clean. It took the second logo and put it inside a red circle, a unique concept and design. 1967 – 2013: A New Look The 1960s marked the time where American Airlines knew that they needed a new look and character for their brand. Massimo Vignelli was commissioned to create a new symbol that gives the brand a new look and yet still keeps it close to its origin. Vignelli created a logo that focused on the wordmark, making it the center of attention and keeping the eagle in the back.It used blue and red on a white background for the color palette and showed a different logo than the versions before. It showed the company name with two ‘A’s above it and an eagle in between them. This new version was minimalistic while still keeping enough characters in it to give the logo personality. This logo stayed with the brand for 40 years and was easily identifiable to people around the world. 2013 – Present: The Logo Today In early 2013 the logo got a redesign that made it nearly unrecognizable. FutureBrand gave the logo a new, modern, and minimalist look that shocked the public when it was revealed. This graphic symbol, known as “The Flight Symbol”, was different than the past logos. Although it kept the red, white, and blue color palette nearly everything else was changed. Why Does The Logo Work?The American Airlines logo works for many reasons, has created a visual identity so strong that it’s known around the world, and is boldly expressed on the side of the airline’s planes.A lot goes into creating something memorable and iconic, especially to the extent that this airline has gone to. Although there are many reasons why this logo is as well known and as iconic as it is today, here are a few of the top reasons why the American Airlines logo works. The Color One element of the American Airlines logo that stands out is the color palette that the logo uses. The logo uses a distinctive three-color palette that’s associated with the American flag; red, white, and blue. This palette is a critical part of what makes the logo work and one of the most significant elements included. Not only does it make the logo iconic, but it makes it recognizable and memorable. People have come to associate the three colors not only with America and its flag but also with the iconic logo that we see for the airlines today. The Font Used Another significant element of the logo that defines it and makes it as memorable as it is today is the font that’s used. When we’re thinking about logos and what makes them stand out amidst the thousands in the world, fonts play a key part in defining them. The name of the airlines is to the left in the current logo, written in a sans-serif typeface, and is the true star of the logo. Not only does it display the company name and stands out boldly, but it also is the main element of the logo. While the design is large, the letters are the largest area of the logo. The Design Of course, the main star of the show is the design itself. The design is shown to the right of the company name, an element that expresses the business fully. The symbol is an element that truly defines the logo and tells people what the company does. The design successfully incorporates the three colors while also showing a plane and it depicts an eagle head. The design itself is subtle, allowing the elements to come together to form an iconic emblem for the airlines.When looking closely at the logo, viewers will see that there are other elements included that you can notice hidden inside the logo. It’s complex while still being simple enough at first glance that you can take it in and understand it fully. The History Of American Airlines By fleet size. American Airlines is the world’s largest airline. They serve nearly 50 countries across the world and there are many people, whether having been a passenger on an American Airlines flight or not, who can easily identify the familiar airline and know what they offer. Although we’re familiar with the airline how we know it today and what it has to offer, it didn’t start this way. The airline has a history behind it that has worked to mold it into the strong brand that it is today with a loyal following behind them and passengers that trust them. If you’re wondering how the airlines got to where it is today and where it began, let’s see as we take a step back in time and review the start of American Airlines. American Airlines first began with Colonial Air Transport and Robertson Aircraft Corporation merging in 1929 to form a holding company that was then known as The Aviation Corporation 1930 marked the time when American Airways was formed and it went from 80 individual airlines to one airline; American Airways. The name was changed from Aviation Corporation to American Airways and it started the journey of becoming a strong airline. This name was quickly changed to American Airlines and the airline expanded rapidly from the 1970s to the 1990s. They went from a domestic American airline to an international carrier.Despite a bumpy road in the early 21st century and financial difficulty, the airline came back stronger than ever in 2008.The airlines had many first in the industry, including being the first airline that offered full in-flight internet access in the US. To this day the airline is still thriving and used by millions around the globe. American Airlines: A Logo To Be Remembered As we conclude American Airlines and its iconic logo and history, we know one thing; this logo is one to be remembered. The airline is one with a strong history and a memorable symbol behind it that supports it. It’s identified with a strong logo that holds a history and has gone through many changes to get to where it is today.One thing is certain though, it has always kept elements that make it easy to identify and creates a strong brand identity. Certain elements, such as the color and font choices, have kept a signature look that makes it easy to identify and stands for the airline. We can learn a lot from looking at not only American Airlines’ logo, but their history as well. Although now we all identify the airlines easily when flying, they didn’t start with such a strong and signature brand. The airline came from a small start in the 1930s to the amazing airlines that it is today.Every brand, regardless of its industry, can learn a great deal from this brand and its history. Their logo and elements of their brand have made an impact not only for their airlines but for the world as well. (Condition: Pre-Owned)
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3500.00 USD 2025-11-20
Wagner Ware Sidney -O- #13 Pie Logo Cast Iron Skillet RARE
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Wagner Ware Sidney -O- #13 Pie Logo Cast Iron Skillet RARE. 1923-1934, in restored condition, sits flat, no cracks or repairs, seasoned with Crisco and ready to use or display. Pie Logo Skillets are very hard to find specially #13This skillet has a beautiful logo and dual finger loop assist tab, will be double boxed with pool noodles for safe shipping
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2999.99 USD 2025-11-20
RARE sept 10, 1934 Vintage Singer 221 Featherweight Sewing Machine AD725302+Case
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Very rare example of the Singer Featherweight sewing machine Very nice condition with original bobbin case. The origin carrying case wl need a heart oof the handle repaired. Perfect for the collector, or for the seamstress. It sews perfectly. Please note the school bell thread guide and the clean and shiny scroll face. Included are the shown attachments and parts ruffler, tucker, adjustable hemmer, edgestitcher etc all as shown I tested it and oiled and lubed it properly. It sews like a dream The machine will be insured for the full amount. Direct signature of the buyer is required. No exceptions..or come and pick it up
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2999.99 USD 2025-11-20
Celluloid Mickey Mouse Walker - RARE VERSION BOX Geo Borgfeldt 1934
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Probably the most lovable 3D interpretation of the famous 2D design. The plain box bottom is missing and would have been covered over by about 95% of the lid (see reference photo). The celluloid Mickey is complete and in excellent shape, with only one small shallow dent of the side of his nose/muzzle.
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2640.00 USD 2025-11-20
Rare Lenci Celia Le Bertetti - Mermaid with Shell on Rock and Mythological Fish
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eBay Rare Lenci Celia Le Bertetti Siren Figurine Italy (Torino), Mermaid with Shell on Rock and Mythological Fish.Up for sale / best offer is an exquisite HUGE mythical sea siren/mermaid figurine titled No. 7 Sirena (Siren) crafted by renowned Italian Lenci artist Celia Bertetti,the most famous of the art directors at the Lenci Pottery factory. The siren is holding a conch shell. This amazing figurine was made between 1934 1936 History adapted from a website: Celia Bertetti was head of the Lenci art department from 1927 to 1931. In 1932 she set up her own workshop, "Bertetti" and in a few short years became world famous. She sold out in 1942, to dedicate herself entirely to sculpting individual monotypes in polished earthenware. This is one of the most desirable and sought after pieces for a figurine / Italian art deco collection. Exceptional value for collectors of rare, fine antiques. Figurine is in EXCELLENT condition for its age. Base is marked "Le Bertetti Made In Italy Torino Sirena R."Figurine size: Height - 15 1/4". I'm open to suggestions as to the best way to ship, Buyer will cover the cost and I will add it the final sale price. Feel free to contact me with any questions. The figurine is located in New York. (Condition: Pre-Owned)
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2500.00 USD 2025-11-20
ca.1934 RARE VINTAGE ART DECO LURELLE GUILD COCKTAIL SHAKER
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eBay LURELLE GUILD RARE COCKTAIL SHAKER circa 1934Silver Plated metal 15 3/4 inches tall Manufactured by Internation Silver Company USAThe underside is impressed with Artist's facsimile signature and "Internation Giftware 5833"The stopper has a patent date of "1927"This rare cocktail shaker has two very small dents and some areas of wear to the silver but otherwise is in very good condition!As with all my Ebay items I am starting this auction at $9.99 with NO RESERVE!Lurelle Guild1 Guild. Vacuum Cleaner, ca. 1937. Brooklyn Museum.Lurelle Van Arsdale Guild (1898 in Syracuse, New York – 1985 in Darien, Connecticut) was an architect, industrial designer, and interior designer. After studying painting at Syracuse University (graduated 1920), Guild worked as an illustrator and writer. He started Lurelle Guild Associates in 1928. In 1944, Guild was a founding member of the Society of Industrial Designers in New York.[1][2] (Genealogical sources indicate that Guild was actually born in Manhattan, NY on August 19, 1898. It is not known where the information came from that he was born in Syracuse) [3]Over the years, Guild's clients included Alcoa, Aluminum Cooking Utensil Company, Chase Brass & Copper Company, Electrolux, Heywood Wakefield International Silver Company, Kensington, Inc., Pullman Company, Revlon, and the Scranton Lace Company [1]Designs in museums and exhibitionsOne iconic design by Guild is his 1937-38 vacuum cleaner for Electrolux. Guild's design was manufactured until 1942, when the company suspended production to contribute to the war effort. After the war, the design went into production until 1954.[1]Lurelle Guild's designs are in several museum collections. In the Carnegie Museum of Art collection in Pittsburgh, there are several Guild designs for Kensington, Inc. (including platters, sugar bowl, teapot, coffeepot, milk jug, and a pitcher).[4] In the Marshall Johnson Collection of Cookware and Appliance Design Drawings at the Hagley Museum and Library (Greenville, Delaware), there are several drawings of Guild's designs for Kensington Ware aluminum products (1922 1960) [5]Yale University Art Gallery holdings include designs by Guild including a canape plate and wine cooler for Chase Brass & Copper Company; the "Stratford" bowl for Kensington, Inc.; a "Regency" asparagus platter, "His Royal Highness" coffee service and "Chatham" pattern pitcher for International Silver Company; and the "Wear-ever" kettle for the Aluminum Cooking Utensil Company [1]Guild s designs for the International Silver Company are included in the following museum collections: Cooper Hewitt, Smithsonian Design Museum, New York; Dallas Museum of Art; the Metropolitan Museum of Art and the Minneapolis Institute of Art.[6] Guild's works for the International Silver Company has been in museum exhibitions including the touring exhibition American Modern, 1925-1940: Design for a new age (2001–02)[6] and the touring Modernism in American silver: 20th century design show (2005–07) [7]In 1934-35, Lurelle Guild exhibited his designs for a cocktail shaker and vegetable dish at the Metropolitan Museum of Art.[8] (Condition: Pre-Owned)
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2370.67 USD 2025-11-20
RARE VTG SCHWINN CROSS EMBOSSED REFLECTOR GLASS LENS 1.5
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eBay Very uncommon or scarce Schwinn embossed logo cross lens. Interesting story behind this. I acquired it from a gentleman that retired from the city in a town on the Ohio River in southern Indiana. He acquired it from another older gentleman that also retired from the city. They did work around town. He originally found it in the city dump in the 50's. I did considerable research and found nothing anywhere on this lens. I've owned it awhile and have never seen one on eBay sold or listed. It's time for a collector that will appreciate or use it, to own it. And before I break it. Its thick glass. Good luck! Examine pics as they tell most of the story and ask questions. Please bear in mind that listing photos might not show the exact true color of the item due to the calibration between the actual item, the camera/flash, and the buyer's screen view. Other than that, always make sure to use photos for condition and style of items. Thanks and blessings to all. On Aug-19-23 at 10:01:26 PDT, seller added the following to multiple experts in this collecting field. This lens is a tail light lens from the electric tail light of a 1934-1936 Schwinn Aerocycle. The tail light assembly (including this lens) was also sold as an accessory during that period. According to a couple honest and knowledgeable historians, few collectors have even seen one of these, or, have ever seen one offered for sale. Hope this helps. And good luck! (Condition: Pre-Owned)
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2276.89 USD 2025-11-20
Rare White Star Line RMS TITANIC-era Burgundy Banded Dining Saloon Dessert Plate
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eBay BIDDER / BUYER NOTICE:*** PRIOR to BIDDING or BUYING, READ THE ENTIRE DESCRIPTION and SALE TERMS and ASK QUESTIONS ***ITEM DESCRIPTION: White Star Line RMS OLYMPIC / TITANIC-era Rare Burgundy Banded Dessert Plate for Maids and Valets’ Saloon or the Post Office Officials and Marconi Operators Saloon (*See Use Note Below) by Bridgwood c. 1912A beautiful stoneware dessert plate for the White Star Line. The front has a double burgundy band encircling the rim and a hand-painted White Star Line house flag at the center. The reverse is impress hallmarked: “Bridgwood ”Over the last 30 years of collecting, I have been very fortunate to come across some interesting and unusual pieces of history. This is one of the rarer pieces that I have had the pleasure to display. Personally, I have only seen three other examples of this pattern. Two of them are in museums, including one of which is a recovered artifact at “Titanic: The Artifact Exhibition” in Las Vegas, as shown in my photos. However, unlike the larger dinner plates that I have seen, this is the smaller dessert or side plate. (See my comparison photo of this plate next to my fruit bowl vs the recovered plate next to the recovered fruit bowl, which is labeled ‘soup tureen’). (Use Note*) This pattern has been described as an "alternate pattern" for 3rd-class. I do not believe this was a 3rd-Class item, due to the following: 1) Logic of Reason: What small, special group in 3rd-Class required a special service? Although, it is known that Jewish passangers in 1st and 2nd Class had their own chefs and service, I have found no evidence that this was the case for the untold number who traveled in 3rd Class.2) Rarity of pattern. 3rd-class ceramics were ordered by the thousands, not a crate or two for the fleet.3) Décor. 3rd-class service goods were intended to be simple, durable, and economical to produce. They were meant to serve thousands of meals a day. This plate is not the plain, white Bridgwood Iron Stone with simple burgundy stamped flag and banner. Instead, this piece has hand-painted bands and a hand-painted flag transfer, more like the 1st or 2nd-class ceramics. The experts would probably disagree, but instead of a 3rd Class alternate pattern, I surmise that this pattern was probably used for seating a smaller group of people, such as in the Maids and Valets’ Saloon or the Post Office Officials and Marconi Operators Saloon. Since maids and valets were often booked as 2nd-Class, whereas the Postal Officials and Marconi Operators were not employed by White Star Line, but contracted, my best guess would be for the latter saloon. 7 men on a rotating schedule would only require a half dozen plates.While researching Red Star Line, I came across an interesting article that appears to show recovered artifacts in this same pattern (See photo above and credit below). Regardless of its use, it is known that at least one 8-7/8” dinner plate was on board the RMS TITANIC, and one 7-1/4” dessert plate is here. This piece of White Star Line history will make a lovely addition to your collection.AU - Poulain, Maxime: Ocean-Liner Ceramics: A Red Star Line Assemblage in Antwerp, BelgiumDA - 2022/06/01AB - "In contrast to what films such as Titanic would have people believe, scientific knowledge about ocean liners is fairly limited. These boats and their material culture, however, functioned as symbols of modernity par excellence and thus allow a better understanding of the advent of a new world at the turn of the 20th century. The focus of this article is a ceramic assemblage from the Red Star Line, the shipping company that transported some two million migrants from Antwerp (Belgium) to the United States between 1873 and 1934. The analysis of this material provides new insights into the furnishings and daily life aboard these ships. Moreover, the possible reuse of these maritime objects ashore forms a basis for a discussion of the ways in which ordinary people entered into the modern world using material culture and to what extent they might have embraced the values associated with these mass-produced goods."SN - 2328-1103UR - https: doi org 10 1007 s41636 021 00315 2DO - 10 1007 s41636 021 00315 2ID - BRIEF:The Burgundy Banded plate is in very good condition with wear commensurate to age and usage. There is a stain left of the house flag and there is light paint loss to the painted bands and flag, though the flag and banner transfers are complete. The bottom has normal utensil wear, but the glaze appears solid, with no noticeable crazing. SEE PHOTOS FOR CONDITION.ITEM DIMENSIONS (approximate): 7-1/4” Dia. x 3-3/4” H.ITEM WEIGHT (approximate): 9.7 oz. Sellers Background:In 1977, I read a book about sea disasters and one of the stories was about a White Star Liner called RMS TITANIC. I do not know why she caught my attention, but I began to read everything about her that I could find in my local library. My favorites were Walter Lord’s iconic A Night To Remember, Lawrence Beesley’s The Loss of the S.S. Titanic, and Archibald Gracie’s The Truth About The Titanic. These books fueled my curiosities and whet my appetite for more knowledge. TITANIC would spur a life-long interest of literature and history. The 70's and 80's were an interesting, mysterious, and special time for TITANIC, before Bob Ballard’s discovery, James Cameron’s movie, and effortless research via a click of a mouse button. 45 years later, those original three books have grown into an eclectic library and artifact collection covering numerous topics. Every historical item is special, capturing a specific time and place in our history. Each piece is unique and has its own personal story to tell; the who, what, where, and the why that we may never know. To get these items back into circulation and onto someone else’s display shelf, I would like to offer you this piece from my collection. I hope that you feel the same way and get to enjoy a piece of history from my Antiques, Steamships, and Sundries. Personal Conservator Notes on Historical Artifacts and Ephemera:• All Items are from my personal collection. These are historically invaluable treasures and I do my best to treat them as such.• All items are displayed or stored in a smoke free home or storage area. • I maintain a RH of 45-55%, with an ambient temperature of 74 degrees. These are the most important factors for a historic collection.• I do not use flash photography on ephemera or textiles.• I do not display artifacts or ephemera in direct sunlight.• I handle documents and photos with the use of white cotton gloves. • I handle unstable ceramics and glass with the use of nitrile gloves.• I hand wash and dry silver goods. I limit the polishing of silver, as this process removes a layer of plating each time. However, many of the sale items will receive a light polish to enhance their appearance and defects in the photos. IMPORTANT TERMS AND CONDITIONS (READ PRIOR TO BIDDING OR MESSAGING):Payment:1 Payments are managed by eBay.2. Payments on Auctions are due within 3 days of the End of Auction or the bid will be cancelled by eBay.3. I will report all attempts of fraud to eBay, PayPal, USPS, and your local authorities. All fraudulent buyers will be immediately and permanently blocked from future business.Tax:My State requires a sales tax of 9.75% added to all goods sold within the State. Please take this into account. Returns:1. I only accept returns on specific non-fragile items, unless noted or the item is not as described. 2. Returns are governed by the policies of eBay and / or PayPal Shipping:Please note the following important information.1. I will typically post within three days of the end of auction. Please, take this into account prior to bidding or leaving feedback.2. My preferred method of shipping is via USPS Priority Mail, which includes tracking and up to $100 insurance. These costs are displayed and are available prior to bidding.3. If you would like the package to have additional insurance, please let me know prior to payment. I am not liable for items lost or damaged during shipping.4. I will combine shipping for most items. However, you must request this service via a message, prior to payment, so that I can make the necessary adjustments. 5. Items are typically prepackaged, so that I can determine the safest and most economical way to ship. Personalized shipping upgrades may be available at a higher cost. Please, ask prior to payment, so that I can make the adjustment IMPORTANT INTERNATIONAL SHIPPING NOTICE**1. The cost of shipping items internationally is expensive. Take this into account BEFORE bidding.2. Please, check available locations and calculate costs BEFORE bidding.3. eBay International is the cheapest way to ship overseas, but it does NOT always include tracking or insurance beyond the US border. 4. The buyer is responsible for all import fees and / or customs duties. These are NOT included in shipping.5. I will NOT mark items as a gift nor lower the final value on the custom’s forms. 6. Ask any questions BEFORE bidding.Bitte überprüfen Sie die verfügbaren Standorte und berechnen Sie die Kosten, bevor Sie mitbieten. Zollgebühren sind nicht enthalten. USPS 1st Class International ist der billigste Weg, um in Übersee zu versenden, aber es beinhaltet NICHT die Nachverfolgung außerhalb der US amerikanischen Grenze und es beinhaltet keine Versicherung S il vous plaît, vérifiez les emplacements disponibles et calculez les coûts AVANT d'enchérir. Les frais de douane ne sont pas inclus. USPS 1st Class International est le moyen le moins cher d’expédier à l’étranger, mais il n’inclut PAS le suivi en dehors de la frontière américaine ni l’assurance Si prega di controllare le posizioni disponibili e calcolare i costi prima di fare offerte. Le tasse doganali non sono incluse. USPS 1st Class International è il modo più economico per spedire all'estero, ma NON include il tracking oltre il confine USA e NON include l assicurazione Por favor, verifique os locais disponíveis e calcular os custos antes da licitação. Taxas alfandegárias não estão incluídas. A USPS 1st Class International é a forma mais barata de enviar para o exterior, mas NÃO inclui rastreamento além da fronteira dos EUA e NÃO inclui seguro.Por favor, verifique las ubicaciones disponibles y calcule los costos ANTES de ofertar. Las tarifas de aduanas no están incluidas. USPS 1st Class International es la forma más económica de enviar al extranjero, pero NO incluye el seguimiento más allá de la frontera de los Estados Unidos. Y NO incluye el seguro. (Condition: Pre-Owned)
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2200.00 USD 2025-11-20
RARE ANTIQUE KANAUS LITHUANIAN MILITARY SCHOOL BADGE 800 SILVER ENAMEL
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For your consideration is this antique military badge from Lithuania. This finely detailed badge was made for the Kanau Lithuanian Military School and is made of 800 silver with beautiful enamel detailing. Its historical significance and intricate craftsmanship make it a unique piece for any militaria enthusiast. This is the only example I can locate which is not engraved with a date. Marked 800 beside a star next to a makers mark. Good condition with signs of age including light scratches and heavy tarnish which has darkened the metal. There is also an uneven area of enamel behind the horse's tail which may be from production and is difficult to detect without close inspection (see photos.) Heavy for size at 28 grams. Brass screw back is missing. Please see complete photos and don't miss your chance to own this exquisite and rare piece!War School of Kaunas (Lithuanian: Kauno karo mokykla) was a military school for junior officers in Kaunas, the temporary capital of Lithuania. It was established in January 1919 during the Lithuanian Wars of Independence copying the example of Russian 4-month praporshchik schools established during World War I. Despite difficult circumstances and lack of some of the basic supplies, between March 1919 and October 1920, the school prepared three classes of 434 men who were sent to the front. 15 of these graduates were killed in action. The cadets also participated in suppressing several anti-government coups, including by the Polish Military Organisation in 1919 and by the Voldemarininkai in 1934.[1] As a reliable and loyal force, they were used to guard the Constituent Assembly of Lithuania when it convened in 1920 or the former Prime Minister Augustinas Voldemaras during his trial.[2] After the wars, the length of study was extended to one year in 1920, two years in 1922, and three years in 1935. Starting in 1926, the school began aspirant courses for the reservists. Courses for more senior officers were offered by the Higher Officers' Courses. From 1932, the school published journal Kari?nas (Cadet) every two months. Before the occupation of Lithuania by the Soviet Union in June 1940, the school prepared 20 classes of 1,631 junior officers and 14 classes of 2,585 reserve officers.[3] The last 21st class graduated already after the occupation. The school was moved to Vilnius and reorganized into an infantrymen school for the Red Army. (Condition: Pre-Owned)
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1999.99 USD 2025-11-20
*VERY RARE* ORIG. 1933 JOHN DILLINGER PUBLIC ENEMY FBI WANTED POSTER *PLS OFFER
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From the late 1800's to the 1950's. It is remarkable. The pictures do it no justice. You won't find anything like it. Dillinger escaped from jail twice. On July 22, 1934, the police and the Division of closed in on the Biograph Theater.
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1999.99 USD 2025-11-20
New ListingEarly, rare 2nd issue Pan Am station manager half wing. back marked 10k + #238
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eBay PAA Pan-American Airways. This early 2nd issue version rarely comes to market. the later version (3rd issue version is scarce but MUCH more common in comparison) (a 2nd issue manager pin like this one sold for $1825 on ebay in July 2018 and the enamel on the flags was not as nice as this one, quality items prices have risen a lot since 2018) Item Markings:10K / "238" Item Condition: Preowned employee #? 238 marked on the back Pan American Airways Station Manager Wing 2nd Issue Usage 1934-1944 approx, approx 8.17 grams marked 10k on back Hinged swing pin with whale tail clasp some call it an airport manager pin) famous station managers, t p gregory - guam, george bicknell - wake island, karly lueder - midway, the three prior are the guys who built those stations in the late 30's. harry canaday was a famous flight engineer from this era. could this be from one of these guys??? who knows but that is the era it is from. if i had providence to one of the famous managers it would be much higher price. maybe someone has an employee number list and could figure out who this was owned by, i am guessing the #238 is an employee id number but could be wrong)Condition as shown in the photos. sorry i am not great at photography, best i could do. this is a vintage item for collectors.I only ship to address provided by ebay, sorry no exceptions. United States sales and shipment only, I appreciate your understanding in the 1970's inflation soared and stock and bond prices collapsed. however during that same decade quality collectibles soared in value. are we about to see a repeat of that decade? Here is your chance to diversify into something tangible. regardless what happens in the financial markets at least with items like in this auction you have something fun to own that also has historical significance.i am loading over the next 10 or so days, some rare aircraft, air line, airline and airlines pins, wings, badges, hats, caps, etc. about 50 or so items in diff auctions.keep watching my other auctions for early pan am, Paa, grace / panagra, mohawk, western air lines, delta, chicago and southern, delta c & s, boeing, pennsylvania central airline, pca, twa, united, southern airlines, hawaiian, american airlines, eastern airlines, and many more. (Condition: Pre-Owned)
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1995.00 USD 2025-11-20
Rare Vintage Eastern Airlines Captains Wings Circa 1934 Whitehead & Hoag EC NR
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From really nice collection of 1930â??s - 1950â??s Eastern Air Transport & Airlines This Very Rare Early Eastern Airlines Enameled Captains wings in Excellent untouched original condition as pictured, maker mark W&H for Whitehead & Hoag . Measures; 3 5/8â? x 5/8â? Last photos showing the lot selling all pieces separately all no reserves. 
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1913.00 USD 2025-11-20


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